Ryuichi Sakamoto: Thousand Knives Of Ryuichi Sakamoto Vinyl LP

by Turntable Lab

$36.95

<p><i>Ryuichi Sakamoto’s landmark debut album, recorded in 1977-78</i> shortly after co-founding <a href="https://www.turntablelab.com/search?type=product&amp;q=Yellow+Magic+Orchestra" target="_blank"><strong>Yellow Magic Orchestra</strong></a> with <a href="https://www.turntablelab.com/search?type=product&amp;q=Haruomi+Hosono" target="_blank"><strong>Haruomi Hosono</strong></a> and <a href="https://www.turntablelab.com/search?type=product&amp;q=Yukihiro+Takahashi" target="_blank"><strong>Yukihiro Takahashi</strong></a>. <em>Thousand Knives</em> was recorded in the weird hours of the night, as <a href="https://www.turntablelab.com/search?type=product&amp;q=Sakamoto" target="_blank"><strong>Sakamoto</strong></a> was preoccupied with his work as an in-demand session musician during the day, and you can hear that weirdness, that relentless search for new sonic worlds straight away. To truly appreciate the brilliance of this record, you gotta understand how old it is - <em>Saturday Night Fever</em> had only come out one year prior, and <a href="https://www.turntablelab.com/search?type=product&amp;q=Unknown+Pleasures" target="_blank"><em>Unknown Pleasures</em></a> was still one year away… OLD, man! <meta charset="utf-8"><span data-mce-fragment="1">For a Japanese man to think he could pop in America in 1978 with a vocoder-fied exotica romp like this, he may as well have just put on an Armani suit and climbed into the bath with an electric lamp</span>. After a chilling recital of a poem (written by Chairman Mao) through a vocoder, Ryuichi switches on the full power grid for “<a href="https://www.turntablelab.com/search?&amp;q=Thousand%20Knives&amp;filter=Brand/Manufacturer/Artist_fq:%22Ryuichi%20Sakamoto%22" target="_blank">Thousand Knives</a>,” breaking completely unchartered but deliriously funky new ground. The bubblebath syndrums, brooding synth swells, prodiguous guitar solos and burpy reggae bassline all glue together like a robot band that’s been playing together for 1000 years - you are now listening to *<i>das neue Japanische elektronische ish*</i>. I could go on and on about the title track, but each of the album’s six tunes are a revelation, from textural sound design flex “Island Of Woods” to <a href="https://www.turntablelab.com/search?type=product&amp;q=Kraftwerk" target="_blank"><strong>Kraftwerk</strong></a>-acknowledgement “Japanische elektronische Volkslied” and vivid synth funk earworm “<a href="https://www.turntablelab.com/search?&amp;q=Thousand%20Knives&amp;filter=Brand/Manufacturer/Artist_fq:%22Ryuichi%20Sakamoto%22" target="_blank">Plastic Bamboo</a>.” The ultra jazzy “Grasshoppers” intertwines a soulful piano performance with bluesy synth bass and a light sprinkling of Arp licks, gently foreshadowing his obsession with the piano a little later in his career. Although we’ve been blessed with stacks of reissues from <strong>Yellow Magic Orchestra</strong> and <a href="https://www.turntablelab.com/search?&amp;q=Hosono&amp;filter=Brand/Manufacturer/Artist_fq:%22Haruomi%20Hosono%22%20OR%20Brand/Manufacturer/Artist_fq:%22Haruomi%20Hosono%2C%20Shigeru%20Suzuki%2C%20Tatsuro%20Yamashita%22%20OR%20Brand/Manufacturer/Artist_fq:%22Haruomi%20Hosono%2C%20Takahiko%20Ishikawa%2C%20Masataka%20Matsutoya%22%20OR%20Brand/Manufacturer/Artist_fq:%22Mac%20Demarco%20%2F%20Haruomi%20Hosono%22" target="_blank">Harry’s catalog</a> as well as <a href="https://www.turntablelab.com/search?type=product&amp;q=Sakamoto+BTTB" target="_blank">mid-career <strong>Sakamoto</strong> oddities</a>, not to mention <a href="https://www.turntablelab.com/search?type=product&amp;q=Sakamoto+async" target="_blank">NUFF mindblowing ish</a> from Sakamoto-san <a href="https://www.turntablelab.com/search?type=product&amp;q=Sakamoto+plankton" target="_blank">in the last few years</a> alone, <em>Thousand Knives</em> is STILL our most wanted record in the <strong>YMO</strong> canon. Remastered from the original master tapes by renowned producer <strong>Seigen Ono</strong>, this 2019 reissue marks the first time the album has been available on vinyl outside of Japan in almost 40 years. Full color repro jacket with obi strip and 4 page insert, highly recommended.</p> <ul> <li>black vinyl pressing<br> </li> <li>includes custom obi strip + foldout insert</li> <li>first vinyl reissue outside of Japan in over 30 years</li> <li>music label: Wewantsounds 2019</li> </ul> <h6>reviewed by sunrise mart 09/2019</h6>